The Mary Gray Dexter papers contain examples of her classwork completed as a student in the Rhode Island School of Design, Department of Textile Design, 1909-1911.

The collection contains recorded videos from the Andrew W. Mellon Foundation Grant lectures delivered 1985, 1986, and 1987.

The collection contains materials documenting Anna T. Carmody's career as an artist and instructor, circa 1930-1936.

The records document architecture exhibitions held at the Rhode Island School of Design, Museum of Art, 1939-1943, and the use of exhibition materials by the Museum's Department of Education, 1940-1953.

The Art for Your Collection records are the Museum Registrar's records for the Art for Your Collection (AFYC) exhibition, held annually, 1962-1991.

The Arthur L. Loeb papers contains personal and educational materials about Design Science during the span of his life and career, 1923-2002.

Seven postcards and one transcript of letters sent by Arthur Heintzelman document his trip to Europe in 1911 after receiving the first RISD Alumni Association Traveling Scholarship.

Stephen W. Macomber was a portrait, still life, and landscape painter. The Bert Gallery (Providence, RI) created an inventory book of photographs of his paintings identified by title, medium, size, and indication if sold and at what price.

Carl Schraubstadter's Catalogue of Hiroshige Prints typescript, 1936, contains a catalogue raisonné in three volumes.

The records document the activities of the Community Art Project, a joint venture of Brown University and RISD.

From 1990-2002, over 100 interdisciplinary RISD undergraduates, led by the Department of Industrial Design, worked to redesign the residential kitchen from the ground up, to meet the needs of a full range of users. The records include photographs, negatives, videos (VHS and 8mm), slides, drawings, reports, and files.

The papers (1962-1989) document the activities of the Curators of Prints, Drawings, and Photographs, Diana L. Johnson (1969-1979) and Deborah J. Johnson (1979-1988) plus Curator Maureen C. O'Brien (1988-1989).

This collection contains two notebooks written by Donald W. Hurd, an instructor of Mathematics at Rhode Island School of Design, 1920-1951.

The records document Edna W. Lawrence’s development of the Nature Lab, 1937-1971, and students' work in her drawing and painting classes, 1934-1973.

The Faculty Symposium Committee organized the symposium "The Nineties: Fin de Siecle or Vision of the Future?" held in the RISD Auditorium 1990 October 12. Coordinated by Assistant Professor of Liberal Arts and Photography Deborah Bright, the symposium featured presentations by RISD faculty and guest Benny Andrews on three panels.

Correspondence, memorabilia, slides, photographs, calendars, journals, essays, TV scripts and art catalogs document Gordon F. Peers' long career at RISD as an instructor in the Painting Department.

The records include Gorham Manufacturing catalogues, books, and scrapbooks.

The records consist of student degree projects, portfolios, and other student work created for the Graphic Design department.

The Heinrich Schwarz papers document his personal and professional correspondence, 1940-1953, while at the Rhode Island School of Design, Museum of Art and include records documenting the activities of employees before and after his tenure, 1926-1942 and 1954-1970.

This series documents Helen Edwards Witchell's education, teaching career, and credentials, 1912-1932.

The records focus on acquisitions, gifts, and researcher queries. With the exception of one file containing correspondence (1961-1964) of Director David Giles Carter, the files include predominantly the outgoing letters (1965-1967) of Zerner.

A scrapbook of Isaac Comstock Bates, 1877-1887, containing letters from artists and dealers about the purchase of paintings and engravings.

The collection contains four publication proposals created by James D. Herbert, 1934-1960s.

The James Fowle papers document the rennovation of the Woods-Gerry House, Providence, RI and the Rhode Island School of Design Faculty strike in 1982.

A collection of metal drafting tools and student notes from John G. Hardy Jr.'s years of study at Rhode Island School of Design, 1930-1935, and his professional practice.